25° edizione del Festival Internazionale di Aspendos: TURANDOT, Vincenzo Grisostomi Travaglini firma il nuovo allestimento del capolavoro pucciniano

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“Suggestioni anatoliche per la Cina Imperiale di Turandot: Aspendos, Vincenzo Grisostomi Travaglini firma il nuovo allestimento del capolavoro pucciniano”, articolo di Francesco Germinario nel numero di Ottobre 2018 di “L’Opera International Magazine”

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Turkish translation:

Turandot’un Çin İmparatorluğu için Anadolu İlhamları
Francesco Germinario, L’Opera Dergisi
Traduzione – çeviri: Suna Ertekin
Aspendos: Vincenzo Travaglini Grisostomi, Puccini’nin başyapıtının yeniden sahneye koyuluşunu imzalıyor.

25. Uluslararsı Aspendos Festivali’nde büyük opera Turandot gösterişli yeni bir prodüksiyonla geri dönüyor.

Geçtiğimiz Ocak ayından itibaren aralarında Aspendos, İstanbul ve Efes’in de olduğu birçok festivaller düzenleyen Türkiye Devlet Opera ve Balesi Genel Müdürlüğüne uluslararası üne sahip opera şarkıcısı Murat Karahan atandı ve hemen Türkiye’deki müzikal/opera kültürüne yeni bir nabız katmak istedi.

Yeni yönetimin en anlamlı sonuçları arasında Turandot’un bu edisyonunu buluyoruz, bu eser tarihi “Antik Tiyatro”ya 18 yıl sonra geri döndü.

Tarihi Anadolu’nun Opera ve Balesi’nin en iyi kaynaklarının bir araya geldiği görkemli bir sahneleme, özellikle Ankara Operası, Orkestrası ve Korosuna Antalya Devlet Operası’nın korosunun koro şefleri Giampaolo Vassella ve Mahir Seyrek ile, Balenin ve Sinem Seçil Battal tarafından yönetilen çocuk korosunun katılımıyla gerçekleşti; eseri İstanbul ve İzmir’i de içeren Türkiye’nin çeşitli realitelerinin en iyi şan solistleri seslendirdiler. Dev bir organizasyon ve teknik ekip sayesinde gerçekleştirilen bu prodüksiyon Aspendos Festivalini haberlere çıkma şerefine eriştirdi. Çeşitli kurumların temsilcileri arasında Kültür ve Turizm Bakanı Mehmet Nuri Ersoy da vardı, temsil sonunda sahneye çıkarak sanatçılara çiçek verip tebriklerini sundu. Aspendos antik çağlardan kalan en iyi tiyatro sayılmaktadır, mimar Zenon tarafından Marcus Aurelius için M.S. 161 ve 180 yılları arasında inşa ettirilmiştir; antik tiyatro bu temsille “güçlü” bir şekilde yeniden gözler önüne çıktı diyebiliriz.

Rejisörlüğü, bugün olduğu gibi bu prodüksiyonla 2000 yılında da çok başarı kazanan Vincenzo Grisostomi Travaglini üstlendi. Orkestra Şefliğini maestro Alberto Veronesi yaptı.

Şan grubunda başlıca rolleri soprano Perihan Diyana Nayır Artan güçlü ve aynı zamanda şık bir Turandot olarak, tenor Murat Karahan güçlü, sağlam ve cömert tenor sesiyle Calaf olarak, “Nessun dorma”yı kaçırılmayacak “bis” ile seslendirdi; aynı rolü geçtiğimiz sezon Verona Arenası’nda büyük başarı ile seslendirmişti ve Aspendos greko-romen tiyatrosunda da zafer kazandı. Şancılar arasında, Festivalin bu açılışı için, Devlet Operası’nın çeşitli müdürlüklerinden öne çıkan en anlamlı sesler görevlendirildi, Seda Aracı Ayazlı’nın duygu dolu Liù rolü ve Teyfik Rodos’un şık Timur rolü beğeni kazandı. Canlı, sahneye katılım gösteren ve dikkat çeken üç bakan rollerinde Ping rolünü üstlenen Murat Duyan, Pang ve Pong rollerinde Tankut Eşber ve Serkan Taylan vardı. Şan grubunu İmparator Altum rolünde Lorenzo Mok Arranz, Nejat Beğde ve Serkan Sarıkaya tamamladı.

Özgür Usta’nın dekorları heybetliydi; Savaş Camgöz’ün değerli kumaşlarla ve özenle seçilen renklerle gerçekleştirdiği her türden aksesuarların kullanıldığı kostümleri çok güzeldi, tarih ve fantazi arasında, Yunan trajedisi stilinde “oyulmuş” maskelerle masalımsı uzak Çin İmparatorluğu sahnede daha önce hiç bu kadar öne çıkmamıştı. Özellikle Armağan Davran’ın koreografileri özenle çalışılmıştı, Pu-Tin-Pao’nun hizmetkârları erkek balesinin enerjik dansından başka Uzak Doğu geleneğine göre düzenlenen ve finaldeki sofistike “çiçekli kızlar” dansı çok etkiliydi. Fuat Gök’ün ışık düzeni güzeldi. Kalabalık ve heyecanlı seyirci, tribünleri doldurarak iyi kalitenin her zaman kazanacağını kanıtladı.

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XXVth Aspendos International Festival: An absolute triumph for Turandot of Giacomo Puccini

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Photo credits: Yusuf Emre Turan

On Tuesday 4th September 2018 was released a marvellous “Turandot” at XXVth Aspendos International Festival in Turkey.

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Photo credits: Yusuf Emre Turan

Following the impulsion of the newly nominated Director General of Turkish Opera Theatres and Ballet, young and already famous Tenor Murat Karahan, “Turandot” has come back on Aspendos stage after eighteen years.

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“Nessun dorma” by Tenor Murat Karahan, Director General of the Opera Theatres of Turkey (Photo credits: Yusuf Emre Turan)

Last time, in 2000, Ankara’s Opera called Maestro Antonio Pirolli to be the conductor and Maestro Vincenzo Grisostomi Travaglini to assume the stage direction with the fantastic Nilgun Akkerman as Turandot and it was already a success.

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This year, the choice of Maestro Alberto Veronesi as conductor, united with the return of Maestro Vincenzo Grisostomi Travaglini for the stage direction, indicates clearly the will of the Director General of the Turkish Opera to express with magnificent emphasis his taste for the genuine essence of art and music at its utmost level.

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Maestro Alberto Veronesi
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Maestro Vincenzo Grisostomi Travaglini

In the grandiose settings of Aspendos Antique Theatre, the best singers of Turkey were called to give life to the ultimate characters of Giacomo Puccini. The brilliant cast included Perihan Diana Nayir Artan as Princess Turandot, Murat Karahan as Prince Calaf, Lorenzo Mok Arranz as Emperor Altom, Teyfik Rodos as Timur, Seda Araci Ayazli as Liu, Murat Duyan as Ping, Tankut Esber as Pang, Serkan Teylan as Pong, Nejad Begde as one Mandarin and Serkan Sarikaya in the role of the Prince of Persia.

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Photo credits: Yusuf Emre Turan

The lovely sets were signed by Ozgur Usta and the beautiful costumes by Savas Camgoz. To be noted the elegant choreography of Amagan Davran and the inspiring light designing of Fuat Gok.

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Photo credits: Yusuf Emre Turan

The combination between the brio and sensitivity of Maestro Veronesi together with the supreme harmony of the royal court, rendered in a rich and colourful manner by Maestro Grisostomi Travaglini has reached its climax in this particularly difficult opera of Puccini. The audience was definitely convinced and the long ovation at the end of the performance was just the confirmation of the enthusiasm, already expressed when Murat Karahan was warmly invited to sing “Nessun dorma” a second time !

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Photo credits: Yusuf Emre Turan

Last but not least, the incredible honour the artists were granted by His Excellency Mehmet Nuri Ersoy, Minister of Culture and Tourism of Turkey, when he went on stage to congratulate all of them with a bunch of white flowers in sign of gratitude for their art and work.

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Final Curtain Call (Photo credits: Yusuf Emre Turan)

Many thanks to Official photographer Yusuf Emre Turan who did marvellous pictures of this enchanting evening.

“Novità senza emozioni”, articolo del Maestro Vincenzo Grisostomi Travaglini in “L’Opera- International Magazine”, Luglio-Agosto 2018 su “La Bohème” di Giacomo Puccini al Teatro dell’Opera di Roma.

“Novità senza emozioni”, articolo del Maestro Vincenzo Grisostomi Travaglini in “L’Opera- International Magazine”, Luglio-Agosto 2018 su “La Bohème” di Giacomo Puccini al Teatro dell’Opera di Roma.

“Al Teatro dell’Opera di Roma, in un allestimento in coproduzione con il Regio di Torino, la scelta degli spazi è quanto mai interessante e sia pure nella ristrettezza di due camere con cucina a vista, perduti tra le lamiere di una periferia impersonale e senza luogo, non raggiungono nell’espressione alcuno degli obiettivi specifici del titolo proposto così che, ad esempio nel primo quadro tra Rodolfo e Mimì “le dolcezze estreme, nel bacio freme amor!” sono solo parole, senza emozione e la musica non rapisce e resta lettera morta in partitura. L’impianto scenico, un contenitore. Una produzione di livello, proposta a Roma così come a Torino, non può trascurare l’equilibrio dell’insieme così che le tante idee di un regista di sicuro successo si spengono nella direzione dell’ungherese Henrik Nánási e in una compagnia di canto non oltre il meritevole.

Non, quindi, una sterile sfida di concetti, bensì di qualità condivisa e complessiva armonizzazione.”

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23rd-25th June 2018: 1st Opera singing international competition in Penne, Italy

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The Auditorium San Giovanni in Penne, Abruzzo, Italy

My mentor, in Opera matter, Maestro Vincenzo Grisostomi Travaglini and my beloved fraternal friend, Maestro Gianni Maria Ferrini were invited by Maestro Michela De Amicis to participate in the jury of the 1st Opera singing international competition of Penne, which took place from 23rd to 25th June 2018 in this lovely little town of Abruzzo, near Pescara on the Adriatic Coast.

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Maestro Vincenzo Grisostomi Travaglini, Maestro Michela de Amicis, Maestro Gianni Maria Ferrini and Maestro Piergiorgio Del Nunzio

The participants came from allover the world, from Mexico to Japan, China and Italy. In the meantime, other classical music competitions involved young talents from Russia and other countries, among which…. Cambodia !

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Posing with the six finalists of the competition

We were received by dynamic and cheerful Professor Lidia Dutillo, President of Le Muse Music School, who accompanied us to a lovely little cottage, Villa Emma, where the owners, Stefania and Giancarlo Delle Monache took care of us the way only Italians can do: with charm, discretion and warmth, and above all, an unforgettable breakfast, made of the utmost fresh products of the surrounding countryside.

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At Villa Emma, His Highness Prince Sisowath Ravivaddhana Monipong with Stefania and Giancarlo Delle Monache, the owners, Maestro Michela de Amicis and Maestro Vincenzo Grisostomi Travaglini

On the first evening, Maestro Michela De Amicis, together with her two friends, Maestro Rosella Masciarelli and Maestro Angela Petaccia, brought us a marvellous gift: A concert with their six hands, entitled “Trio pianiste all’Opera”, three fantasies inspired by “Rigoletto”, “Traviata” and many Puccini’s Opera Arias. I was in heaven…. We ended up to have dinner together and as I was telling my admiration, Maestro Rosella Masciarelli held me their CD: such a special moment !

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From left to right: Professor Lidia Dutillo, Maestro Vincenzo Grisostomi Travaglini, Maestro Rosella Masciarelli, Maestro Angela Petaccia, Maestro Gianni Maria Ferrini. Seated: Maestro Michela de Amicis and His Higness Prince Sisowath Ravivaddhana Monipong

The jury of the Opera competition was presided by Maestro Leone Magiera, best friend of late world wide famous Luciano Pavarotti, and I had the occasion to meet with him and his very nice wife, Dottoressa Lidia La Marca as well as energetic and smiling Soprano Patrizia Orciani, accompanied by handsome tenor Carlo Baricelli. Maestro Vincenzo Grisostomi Travaglini and Maestro Gianni Maria Ferrini completed with their respective competences this pannel of the highest level. The singers were accompanied all along the competition by young and talented Maestro Piergiorgio Del Nunzio.

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The Opera jury: Maestro Carlo Baricelli, Maestro Patrizia Orciani, Maestro Leone Magiera, Maestro Vincenzo Grisostomi Travaglini, Maestro Gianni Maria Ferrini

The three Opera singers who robbed my heart (and were selected as well by the jury) were Mariana Valdés from Mexico, Mae Hayashi from Yokohama and Ruiyang Xu from China. Not only were they exceptional voices, with a variety of colours and sensual shades, but they are three marvellously beautiful ladies. We all fell under their charms !

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His Highness Prince Sisowath Ravivaddhana Monipong with the adorable Mariana Valdés and the gorgeous Mae Hayashi, the two winners of the first Prize
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With beautiful Ruiyang Xu, the winner of the third Prize

At the final evening, I was granted the pleasure to meet with 17 year-old Cambodian violonist, Sokhema Di Croce, originally from Battambang and who was adopted by her Roman parents when she was only 11 months. I was raptured by the power of her interpretation and I hope to re-meet her very soon in Rome. Maestro Gianni Maria Ferrini already promised her to organise a concert at Ariadimusica, in which she will be able to show her great talents.

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From left to right: Mr. and Mrs. Di Croce, Maestro Gianni Maria Ferrini, Sokhema Di Croce, His Higness Prince Sisowath Ravivaddhana Monipong, Maestro Vincenzo Grisostomi Travaglini

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After the gala concert, we got together with the “Happy Few” and had a funny and relaxing dinner in a place called “il Chicco Verde” and finished with a delicious ice-cream at “La Regina”, property of Signora Irma where my friends, Maestro Sacha De Ritis and his student, Mattia Carugno explained to me some tricks to play their favourite instrument: the traverse flute.

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Mattia Carugno, His Highness Prince Sisowath Ravivaddhana Monipong, Maestro Sacha De Ritis

16th June 2018: Second edition of “Vissi d’arte sulle ali del grifo”, a fund-raising Gala Evening at Castello Grifeo in Partanna, Sicily.

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Castello Grifeo in Partanna (Sicily)

On Saturday 16th June 2018, as promised two years ago, Prince Giuseppe Grifeo di Partanna decided to gather some friends once again in the Castle of his ancestors in Partanna, Sicily. Thanks to Dottore Domenico de Gennaro and the “Il MedioEvo” Association, the funds reunited in occasion of this Gala Dinner will be used to restore two wonderful masterpieces of Sicilian XVIIIth Century.

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An overview of the Gala Dinner on 16th June 2018 at Castello Grifeo in Partanna (Sicily)

 

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Marquis Vincenzo Grisostomi Travaglini and His Highness Prince Sisowath Ravivaddhana Monipong, in a fraternal embrace with Prince Giuseppe Grifeo di Partanna

Before dinner, Prince Giuseppe Grifeo di Partanna invited Maestro Vincenzo Marrone d’Alberti, togetehr with his talented young student, Maesto Luca Lione to play romantic pieces of Chopin, Lizst and Brahms and my emotion was at its utmost level, when  I heard the notes of Ravel’s “Ma Mère l’Oye”, a surprise for Prince Grifeo (who particularly appreciates this piece of music) but also for me, as Ravel composed it right after attending the performance of the Royal Ballet of Cambodia at Pré Catelan in Summer 1906, following King Sisowath in state visit.

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Maestro Vincenzo Marrone d’Alberti and Maestro Luca Lione interpreting with grace and sentiment Maurice Ravel’s suite “Ma Mère l’Oye”.

The funds gathered two years ago served to restore a magnificent statue of San Giovanni Battista, a glory of Sicilian medieval wood sculpture tradition.

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Mayor Nicolà Catania and Doctor Domenico (Mimmo) de Gennaro revealing the beautiful newly restored statue of San Giovanni Battista

Many friends of Prince Giuseppe Grifeo di Partanna have participated with enthusiasm to this prestigious Gala evening and the celebration went on, until late into the summer night, among laughs and joyful jokes of a merry company, who promised to do it again very soon !

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The arrival of Doctor Domenico (Mimmo) de Gennaro and his charming wife, Doctor Rosalia Crescenti, our charming hosts on this auspicious day.
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Our dear friends, Mr. Rafaele Beninati and his gorgeous wife, Mrs. Giovanna Maria Ciolino, who prepared for the happy few of us the most incredibly delicious “pasta” with the world famous red shrimps of Mazara, the day before !
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Glamourous Agata Palazzo, in a splendid evening ensemble of bronze silk, together with Prince Giuseppe Grifeo di Partanna

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Happy gathering at the end of the evening, around young promising Tenor Roberto de Gennaro Crescenti, Meastro Vincenzo Marrone d’Alberti, His Highness Prince Sisowath Ravivaddhana Monipong, Prince Giuseppe Grifeo di Partanna, Photographer Angelo Campus, Doctor Antonio Roberto Tartamella and talented young Maestro Luca Lione.

Needless to say that this enchanting evening is still alive in our hearts and we are looking forward to going back to this lovely area of the Beautiful Sicily.

All my gratitude and sincere thanks to our marvellous photographer, Mr. Angelo Campus.

 

 

 

 

“La forza della realtà”, articolo del Maestro Vincenzo Grisostomi Travaglini in “L’Opera International Magazine”, Giugno 2018 su Billy Budd di Britten per la prima volta all’Opera di Roma.

“La forza della realtà”, articolo del Maestro Vincenzo Grisostomi Travaglini in “L’Opera International Magazine”, Giugno 2018 su Billy Budd di Britten.

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“Il poeta britannico Wystan Hugh Auden rimproverò Britten perché a suo avviso nel Billy Budd la tematica omosessuale, perno del complesso intreccio di sentimenti irrisolti e sospesi, non era espresso con maggiore determinatezza. Eppure, come ci dimostra l’attuale produzione in scena al Teatro dell’Opera di Roma, tutto vi è detto; implicito in una densa drammaturgia tratta dal postumo romanzo breve di Herman Melville rielaborato nel concetto da Edward Morgan Forster (l’autore di Maurice e di Passaggio in India) e nella teatralità da Eric Crozier, di attenta lettura nell’arcobaleno sonoro di Britten di dissolvenze incrociate, dialogo, scontro, negazione di una partitura densa, ora apparentemente soave o tormentata dove il sottinteso non è altro che un messaggio che aspetta di essere compreso. Al Teatro dell’Opera il Billy Budd, per la prima volta a Roma, è proposto nella versione definitiva in due atti, prologo ed epilogo del 1960, senza pregiudizi e al contrario aliena da troppo attuali compiacimenti.”

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L’Opera International Magazine, June 2018 : “Métamorphoses” or Neang Waddhana Devi, an article by Maestro Vincenzo Grisostomi Travaglini

“Métamorphoses” or Neang Waddhana Devi, an article by Maestro Vincenzo Grisostomi Travaglini, published in “L’Opera International Magazine”, June 2018, in Italian language on the last tournée of the Royal Ballet of Cambodia in Switzerland and France in May 2018.

To be noted the marvellous photos taken by Swiss photographer, Helmut Stampfli.

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http://www.centralpalc.com/2018/06/lopera-giugno-2018/